How the Irish have written more than their fair share of Shakespearean works

The Irish have a long tradition of writing plays and poetry, as well as many of the works of the modern day greats, from Hamlet to Shakespeare to Swift and beyond.

The Irish writer of the past century, Mary Ann Duffy, once said that the Irish writers have written over 500 plays, poems and novels.

Now, there are two things we can be certain of: we’ve written at least a thousand, and we’ve had at least one play, poem or novel published in Irish by the Irish press.

It’s not an accident that the last of those books is “The Irish Plays”, the most widely read of the Irish plays, by Fergal Glynne.

Fergal had been writing plays since his teens and in the 1950s he took up writing for the press.

His first novel, “The Pains of Being Pure at Heart”, was published in 1959.

“The Paints” was his first full-length novel, and it became one of the most popular of his novels.

It sold more than a million copies and has been translated into dozens of languages.

It won the Irish literary award in 1967 for “the best novel”.

The book became a hit with young people in Ireland, and became a huge success.

“The play is a celebration of our nation,” Fergas family said at the time.

When “The Plays” was published, the Irish writer George Fergus was working on his second novel.

Fergals first book, “In the Hall of the Mountain King”, was due out in 1976.

In 1981, the novel became the subject of a documentary film called “The Adventures of George Fergall”.

“It was not until after the film that I discovered the extent of the influence of Fergalls work on my work and I knew that I wanted to do something similar,” Fergus said.

A sequel to “The Parades” was also released in 1982, and was also a hit.

“It was a very difficult one, because I couldn’t do anything with the original title,” Fagan said.

“I had to take it off the shelf.

I didn’t have the money to do a sequel.”

Fergaly had already written several short stories and novels and was writing a play called “Háin Gaeilge”, which was about the life of the King of Munster, Éamon de Valera.

There was a lot of controversy about whether or not Fergalis work should be published.

But Fergs father, John Fergus, was in favour of it, and his son, Paul, had also been working on a play that he wanted to make.

Paul was a friend of Fergus and they had known each other since they were children.

Fergus knew about Fergus work and he knew he wanted a play to be published, but he was not certain whether it would be as popular as his previous work.

“We decided we had to try something different, and I don’t think we were naive,” Fagnan said.

Fagales son, Martin, worked as a journalist, and Fergus decided to work with Martin, who was a journalist.

He had been toying with the idea of publishing a play for a long time.

Faggal went to Martin to ask him if he had any interest in doing the play.

Martin agreed, and so Fergus set out to get his play done.

The next step was to get the play into the public domain.

Martin had a plan.

He’d get a publisher and publish the book and then have a film made about it, which would then be distributed in Ireland.

“This was not a one-off, it was an ongoing process,” Fagals son Martin said.

Martin and Faggals father decided to use their Irish heritage to get a play published in Ireland as soon as possible.

After getting permission from the publisher, Faggs play was published by the publisher in April, 1981.

It was “The Great Dáil” at the beginning of the year, and the book was a hit in Ireland and abroad.

An Irish book critic, Stephen Donnelly, said that it was “a magnificent piece of work”.

Martin Faggall was awarded the Nobel Prize for Literature in 1981.

He was the first Irishman to be awarded the award.

The award was a huge boost for the Irish poet and novelist, who also won the Prix de la recherche du monde in 1989 and the Prix du Comité in 1993.

Despite the awards and the accolades, Fergalsh was still struggling to pay the rent on his modest house in the south of Ireland.

Fagnall, a widower, also struggled with the situation, as did Martin Faggally.

Martin’s marriage had been on the rocks for some time, and he

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